Thomas Hudson, born in Devon around 1701, left an indelible mark on the art world as a prominent English portrait painter of the 18th century. Although the exact location of his birth remains unknown, his artistic journey unfolded under the guidance of Jonathan Richardson in London. In an interesting twist of fate, Hudson married Richardson's daughter against the latter's wishes, solidifying a connection that influenced his early career.
Hudson's most prolific period spanned from 1740 to 1760, with the zenith of his success occurring between 1745 and 1755 when he held the title of the most prosperous portraitist in London. Known for his productivity, he managed a studio with numerous assistants, even enlisting the expertise of the renowned drapery painter Joseph Van Aken. Notable artists like Joshua Reynolds, Joseph Wright, and Peter Toms honed their skills under Hudson's tutelage.
The artist expanded his horizons with travels to the Low Countries in 1748 and Italy in 1752, experiencing diverse artistic influences. In 1753, he acquired a residence at Cross Deep, Twickenham, near Pope's Villa, marking a retreat from his bustling career towards the end of the 1750s. Hudson's distinctive appearance, characterized by a short stature and a large, bushy periwig, contributed to his amiable and good-tempered reputation.
Retiring in the late 1750s, Hudson spent his final years in Twickenham until his passing in 1779. Despite his departure, his artistic legacy endures in numerous galleries across the United Kingdom, including the National Portrait Gallery, National Maritime Museum, Tate, Barnstaple Guildhall, Foundling Museum, and the Bristol City Museum and Art Gallery. Hudson's extensive private art collection went through three separate sales after his death, contributing to the dispersion of his artistic influence.
Thomas Hudson, born in Devon around 1701, left an indelible mark on the art world as a prominent English portrait painter of the 18th century. Although the exact location of his birth remains unknown, his artistic journey unfolded under the guidance of Jonathan Richardson in London. In an interesting twist of fate, Hudson married Richardson's daughter against the latter's wishes, solidifying a connection that influenced his early career.
Hudson's most prolific period spanned from 1740 to 1760, with the zenith of his success occurring between 1745 and 1755 when he held the title of the most prosperous portraitist in London. Known for his productivity, he managed a studio with numerous assistants, even enlisting the expertise of the renowned drapery painter Joseph Van Aken. Notable artists like Joshua Reynolds, Joseph Wright, and Peter Toms honed their skills under Hudson's tutelage.
The artist expanded his horizons with travels to the Low Countries in 1748 and Italy in 1752, experiencing diverse artistic influences. In 1753, he acquired a residence at Cross Deep, Twickenham, near Pope's Villa, marking a retreat from his bustling career towards the end of the 1750s. Hudson's distinctive appearance, characterized by a short stature and a large, bushy periwig, contributed to his amiable and good-tempered reputation.
Retiring in the late 1750s, Hudson spent his final years in Twickenham until his passing in 1779. Despite his departure, his artistic legacy endures in numerous galleries across the United Kingdom, including the National Portrait Gallery, National Maritime Museum, Tate, Barnstaple Guildhall, Foundling Museum, and the Bristol City Museum and Art Gallery. Hudson's extensive private art collection went through three separate sales after his death, contributing to the dispersion of his artistic influence.
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