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    Lalu Prasad Shaw

    Lalu Prasad Shaw (b. 1937) is a celebrated Indian painter and printmaker, best known for his elegant tempera works and his significant contributions to Indian printmaking. A graduate of the Government College of Art & Craft, Kolkata, Shaw received training in Western artistic techniques—such as British watercolour and Italian chiaroscuro—but evolved a distinct painterly vocabulary rooted in Indian traditions. His work reflects a deep engagement with the visual culture of Bengal, drawing from sources as diverse as Ajanta cave paintings, Mughal miniatures, Kalighat pats, and early studio photography.

    Immersed in the ethos of the Bengal School of Art, yet forging a singular style, Shaw is known for his stylized depictions of Bengali bhadralok life—elegant babus and bibis rendered in profile with almond-shaped eyes, minimal lines, and restrained colour palettes. Despite their simplicity, his compositions brim with narrative intimacy and cultural specificity.

    Shaw’s early exposure to rural life, the trauma of Partition, and political unrest such as the Naxal movement subtly inform his visual language. While his paintings often focus on the genteel domestic life of the middle class, his prints carry an emotional undercurrent—strong lines and structured forms reflecting inner turmoil and societal shifts. Shaw has been widely exhibited in India and abroad and has received several accolades including the Lalit Kala Akademi National Award. His work continues to bridge the classical and the contemporary with poise and precision.

    Lalu Prasad Shaw

    Lalu Prasad Shaw (b. 1937) is a celebrated Indian painter and printmaker, best known for his elegant tempera works and his significant contributions to Indian printmaking. A graduate of the Government College of Art & Craft, Kolkata, Shaw received training in Western artistic techniques—such as British watercolour and Italian chiaroscuro—but evolved a distinct painterly vocabulary rooted in Indian traditions. His work reflects a deep engagement with the visual culture of Bengal, drawing from sources as diverse as Ajanta cave paintings, Mughal miniatures, Kalighat pats, and early studio photography.

    Immersed in the ethos of the Bengal School of Art, yet forging a singular style, Shaw is known for his stylized depictions of Bengali bhadralok life—elegant babus and bibis rendered in profile with almond-shaped eyes, minimal lines, and restrained colour palettes. Despite their simplicity, his compositions brim with narrative intimacy and cultural specificity.

    Shaw’s early exposure to rural life, the trauma of Partition, and political unrest such as the Naxal movement subtly inform his visual language. While his paintings often focus on the genteel domestic life of the middle class, his prints carry an emotional undercurrent—strong lines and structured forms reflecting inner turmoil and societal shifts. Shaw has been widely exhibited in India and abroad and has received several accolades including the Lalit Kala Akademi National Award. His work continues to bridge the classical and the contemporary with poise and precision.

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