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    John Wilson

    John Woodrow Wilson was an American painter, sculptor, lithographer, and teacher whose work centered on themes of racial justice, dignity, and equality. Born in 1922 in Roxbury, Massachusetts, to parents who had emigrated from British Guiana, Wilson grew up deeply aware of racial inequalities in America—an awareness that profoundly shaped his artistic vision.

    He studied at the School of the Museum of Fine Arts, Boston, graduating with high honors in 1945, and went on to complete a degree at Tufts University. Awarded the James William Paige Traveling Fellowship, Wilson studied in Paris under Fernand Léger, absorbing modernist influences while developing a commitment to socially engaged art. In the early 1950s, a John Hay Whitney Fellowship took him to Mexico, where he studied printmaking at the Taller de Gráfica Popular and was influenced by the political murals of José Clemente Orozco.

    Wilson’s career combined teaching—most notably at Boston University from 1964 to 1986—with a prolific artistic practice. He produced lithographs, paintings, and public sculptures, all rooted in the belief that art should communicate directly and address issues of human dignity. His subjects ranged from laborers and family life to powerful political imagery, often reflecting on the Black experience in America.

    His work was widely exhibited and collected, including by the Museum of Fine Arts, Boston, and Smith College. In 1963, he was featured among 24 Black artists in Ebony magazine’s centennial issue of the Emancipation Proclamation, affirming his place among the leading African American artists of his generation.

    John Wilson

    John Woodrow Wilson was an American painter, sculptor, lithographer, and teacher whose work centered on themes of racial justice, dignity, and equality. Born in 1922 in Roxbury, Massachusetts, to parents who had emigrated from British Guiana, Wilson grew up deeply aware of racial inequalities in America—an awareness that profoundly shaped his artistic vision.

    He studied at the School of the Museum of Fine Arts, Boston, graduating with high honors in 1945, and went on to complete a degree at Tufts University. Awarded the James William Paige Traveling Fellowship, Wilson studied in Paris under Fernand Léger, absorbing modernist influences while developing a commitment to socially engaged art. In the early 1950s, a John Hay Whitney Fellowship took him to Mexico, where he studied printmaking at the Taller de Gráfica Popular and was influenced by the political murals of José Clemente Orozco.

    Wilson’s career combined teaching—most notably at Boston University from 1964 to 1986—with a prolific artistic practice. He produced lithographs, paintings, and public sculptures, all rooted in the belief that art should communicate directly and address issues of human dignity. His subjects ranged from laborers and family life to powerful political imagery, often reflecting on the Black experience in America.

    His work was widely exhibited and collected, including by the Museum of Fine Arts, Boston, and Smith College. In 1963, he was featured among 24 Black artists in Ebony magazine’s centennial issue of the Emancipation Proclamation, affirming his place among the leading African American artists of his generation.

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