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    Horace Van Ruith

    Horace Van Ruith (1839–1923) was a British-German painter whose career flourished in the late 19th and early 20th centuries. Active in both oils and watercolours, he became known for his landscapes, portraits, and depictions of everyday life. His artistic journey gained momentum in the early 1880s during a significant period in India, particularly in Bombay (now Mumbai), where he painted idealised yet detailed scenes of local tradespeople and daily activity. These works reflected his interest in capturing both the character of his sitters and the atmosphere of their surroundings.

    Van Ruith’s Indian watercolours and oils were well received at the Colonial and Indian Exhibition of 1886 in London, a grand showcase of imperial culture and commerce that coincided with Queen Victoria’s Jubilee. In 1892, Van Ruith settled in London, where he established himself as a regular contributor to the Royal Academy and other exhibitions. His ability to move fluidly between portraiture, genre painting, and landscape allowed him to maintain a diverse practice and a wide-ranging clientele. Today, Van Ruith is remembered as a prolific artist whose works provide valuable insights into British artistic responses to India during the height of empire.

    Horace Van Ruith

    Horace Van Ruith (1839–1923) was a British-German painter whose career flourished in the late 19th and early 20th centuries. Active in both oils and watercolours, he became known for his landscapes, portraits, and depictions of everyday life. His artistic journey gained momentum in the early 1880s during a significant period in India, particularly in Bombay (now Mumbai), where he painted idealised yet detailed scenes of local tradespeople and daily activity. These works reflected his interest in capturing both the character of his sitters and the atmosphere of their surroundings.

    Van Ruith’s Indian watercolours and oils were well received at the Colonial and Indian Exhibition of 1886 in London, a grand showcase of imperial culture and commerce that coincided with Queen Victoria’s Jubilee. In 1892, Van Ruith settled in London, where he established himself as a regular contributor to the Royal Academy and other exhibitions. His ability to move fluidly between portraiture, genre painting, and landscape allowed him to maintain a diverse practice and a wide-ranging clientele. Today, Van Ruith is remembered as a prolific artist whose works provide valuable insights into British artistic responses to India during the height of empire.

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