Dirk Stoop (c. 1618–1686) was a Dutch painter and engraver active during the Dutch Golden Age, known for his finely detailed landscapes, equestrian scenes, and courtly subjects. Born in Utrecht to glass painter Willem Jansz Stoop, Dirk likely trained in his father’s artistic environment before embarking on extensive travels that shaped his diverse style. He spent a decade in Italy (c.1635–1645), returning to Utrecht by 1647, where he worked for several years before travelling again.
In 1661, Stoop moved to Portugal, where he was appointed court painter to Infanta Catherine of Braganza, later accompanying her to England upon her marriage to King Charles II. During his years in London, he produced engravings and paintings depicting royal ceremonies and processions, earning recognition for his skill in capturing movement and grandeur.
Later records suggest he lived in Hamburg, where he was active within the Painters’ Guild until the early 1680s. Although details of his final years remain uncertain, Dirk Stoop’s work reflects the cosmopolitan spirit of his time—marked by a blend of Dutch realism, Italian influence, and European courtly elegance.
Dirk Stoop (c. 1618–1686) was a Dutch painter and engraver active during the Dutch Golden Age, known for his finely detailed landscapes, equestrian scenes, and courtly subjects. Born in Utrecht to glass painter Willem Jansz Stoop, Dirk likely trained in his father’s artistic environment before embarking on extensive travels that shaped his diverse style. He spent a decade in Italy (c.1635–1645), returning to Utrecht by 1647, where he worked for several years before travelling again.
In 1661, Stoop moved to Portugal, where he was appointed court painter to Infanta Catherine of Braganza, later accompanying her to England upon her marriage to King Charles II. During his years in London, he produced engravings and paintings depicting royal ceremonies and processions, earning recognition for his skill in capturing movement and grandeur.
Later records suggest he lived in Hamburg, where he was active within the Painters’ Guild until the early 1680s. Although details of his final years remain uncertain, Dirk Stoop’s work reflects the cosmopolitan spirit of his time—marked by a blend of Dutch realism, Italian influence, and European courtly elegance.
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